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“To put it in perspective, I would get $300 to play Friday and Saturday night, but I would first have to drive to Greensboro and spend $75 to rent an amp and two speakers. Outlaw stresses that in those early years, he was truly doing it for the love of music, not the economic return on investment. Eventually he was able to parlay this into regular gigs at The Ritz and The Arena. Part of a cohort that shaped the local House music scene in the ‘90s and early to mid-2000s, he got into DJing through a fellow UNCC classmate who would occasionally let him practice on his turntables as well as help tote his record crates to gigs. “I’ve always viewed DJing as a form of ministry” - DJ Outlawįor DJ Outlaw, his booth perch was a nightlife pulpit that spread music as its Good News. I’ve played different stuff, always,” he says.ĭJ Stacey Blackman is known in part for his longstanding lunchtime mixes on 105.3 FM. “I’ve never really been into the mainstream. His long run may be attributed to his diverse musical taste that he credits to his uncle’s record collection growing up. After that, I started cutting lawns to save money for my own set up.” “I wanted to know how they made that record and put all that music together, so I researched it. It was hearing the record “The Adventures of Grandmaster Flash on the Wheels of Steel,” with its varied genre samples from artists like Chic, Blondie, and Queen that sparked Blackman’s interest. Blackman bought his first set of turntables in the early 80s, when he was still in junior high.
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“I always took pride in getting the newest records.” - DJ Stacey Blackman (DJ) Voodoo, I learned crowd management,” says Stacey Blackman, himself a staple in the local community known for his proclivity for House music as well as his longstanding lunchtime mixes on 105.3. Over the past four decades, Charlotte has given rise to a diverse pool of local DJ talent known for sustaining a following. While the Internet has changed the ways people acquire, share and enjoy music, DJs are still in the unique position to be tastemakers by breaking new tracks to their audiences and curating distinctive real time playlists that bear their own stylistic hallmarks.
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Charlotte’s musical tastemakers offer all that and more. As it turns out, there is room for everyone - from the musical maestro charged with getting the party going to the sonic sommelier focused on serving up musical Easter eggs that only a music head would appreciate. This doesn’t mean, however, that old-school DJs are now obsolete.
Dj got fallin in love again yvar professional#
With advances in technology, many newcomers have been emboldened to enter the professional DJ space.